Neo-Victorian Voices: The Twelve Rooms of the Nile, Enid Shomer (2012)

Moving, surprising and well researched, Enid Shomer’s 2012 The Twelve Rooms of the Nile was my favourite of the books I’ve reviewed this year as part of my Neo-Victorian Voices series.

The novel takes an interesting fact—that, before each was famous, Florence Nightingale and Gustave Flaubert travelled through Egypt at the same time—and imagines an alternate history, in which they meet, bond and inspire each other’s respective genius.

The result is an intimate double character study set against the sweeping backdrop of nineteenth-century Egypt, borrowing from Flaubert and Nightingale’s own writings, yet elevated further by Shomer’s distinctive and evocative prose (her previous works have been poetry).

The Twelve Rooms of the Nile, Enid Shomer (2012)

You’ll love The Twelve Rooms of the Nile if any of the following apply. You…

Have an interest in Nightingale, Flaubert or both.

Are fascinated by Egyptian mythology and French/British tourism in the nineteenth century.

Enjoy reading love stories that defy conventions of what relationships and intimacy are or should be.

Are interested in fictional depictions of depression, obsession and the artistic temperament.

Have ever felt acutely your difference from those around you or societal and familial expectations of who you should be.

You might find the novel less appealing if you…

Avoid sexual explicitness in (historical) fiction. And I don’t just mean sex scenes—Flaubert is in the midst of writing a treatise on female genitalia.

Want an ‘easy read’—Shomer doesn’t spoon feed and at times she makes you work for it. But rereading and parsing her longer sentences was a joy, not a chore.

Enid Shomer (1944-)

This is the kind of novel that left me feeling bereft when I turned the final page—a testament to the power and immediacy of fiction, even if it’s set in a distant time and place.

Which twenty-first century written, nineteenth-century set novel would you like to see the Secret Victorianist review next? Let me know—here, on Facebook or by tweeting @SVictorianist.

Top 10 Victorian/Nineteenth-Century Halloween Costume Ideas

Halloween is nearly upon us and every self-respecting Victorianist is contemplating stepping back in time and into the breeches of our favourite historical characters—real and imagined.

Below is a list of the Secret Victorianist’s top picks of nineteenth-century-inspired costumes for you to consider.

1. Miss Havisham

The perennial bride in Charles Dickens’s 1860-1861 Great Expectations is a killer Halloween choice. White dress? Check. Veil? Check? Grey hair and cobwebs? For extra Gothic flare consider singeing your gown and adding dramatic flames. Who says a wedding dress need only be worn once?

2. Queen Victoria

That’s right—go as the monarch of the era herself, with Prince Albert in tow if you’re after a couples’ costume. Otherwise, embrace widowhood and dress head to toe in black.

3. A character from Pride and Prejudice (zombies optional)

Who doesn’t want to an excuse to unleash their inner Lizzie Bennet? Grab some friends and argue about who is each sister if you’re not lucky enough to have found your Darcy. The Pride and Prejudice with Zombies movie is recommended Halloween viewing and could also provide a fun twist on the costume idea.

4. Long John Silver

Before Captain Jack Sparrow lit up our screens it was Long John Silver, the villain from Robert Louis Stevenson’s 1882 Treasure Island, who was the world’s most famous fictional pirate. This costume is all in the accessories: strap on a wooden leg, perch a parrot on your shoulder and grab a map marking the way to those elusive pieces of eight.

5. Abraham Lincoln

The United States’ most-distinctive nineteenth-century president is a great costume choice. The top hat and facial hair will make you instantly recognisable, even if you don’t want to shell out on realistic historical garb.

6. Florence Nightingale

While others are donning their ‘sexy nurse’ outfits, dress up as the lady with the lamp, who tended to British soldiers during the Crimean War.

7. Napoleon

The French emperor shares the laurel with Queen Victoria for the most famous nineteenth-century look. Don’t forget the hat, the epaulettes, or, our course, the pose.

8. The Statue of Liberty

This famous gift from the French to the American republic was dedicated in 1886. Dress in copper tones, rather than green, for a true nineteenth-century feel.

9. Dracula

What could be more classic for Halloween than to dress as the count from Bram Stoker’s 1897 classic. Many won’t know the story’s Victorian provenance though, so try to read the novel before you go to your party!

10. The Nutcracker and Sugar Plum Fairy

If you’re itching for Halloween to be over, Christmas can come early with your costume choice. The ballet was first performed in 1892 and is great Halloween inspiration. Don your tutu to be the Sugar Plum Fairy, look distinguished in your red coat as the nutcracker himself, or maybe even go for a giant rat costume.

Do you have any other Victorian/nineteenth-century costume ideas (or pics!) to share? Let me know—here, on Facebook or by tweeting @SVictorianist.

Neo-Victorian Voices: The Wonder, Emma Donoghue (2016)

Many will know Irish-Canadian novelist Emma Donoghue from her much-lauded Room (2010)—the contemporary tale of a woman trapped by a predator and bringing up her son in captivity. But Donoghue’s works when viewed as an oeuvre otherwise have a decidedly historical bent. There’s Slammerkin (2000), inspired by an eighteenth-century murder, The Sealed Letter (2008), the story of an 1864 divorce case and Frog Music (2014), the tale of a nineteenth-century cross-dressing frog catcher. And then there’s her 2016 The Wonder, which I’m writing about today—a novel set in the 1850s that pits the English rationality of a nurse trained under Florence Nightingale against a village of superstitious Irish peasants, convinced they have a miracle in their midst.

The Wonder (2016)

Eleven-year-old Anna O’Donnell hasn’t eaten in months, or so her parents claim. Is God sustaining the child with manna? Or is this a hoax, a medical oddity, something more sinister? Lib Wright, our protagonist, is determined to be vigilant and to get to the bottom of the mystery, but she doesn’t expect to grow fond of her devout and unworldly patient, or that she will have to confront her past—the secrets she is hiding of her own.

Donoghue’s cast of characters is small and her setting a tiny village, with one store-cum-drinking place, surrounded by bog. I was unsure how the simple premise would play out over the length of a novel but she’s masterful at building tension and at suggesting the monotony and repetitions of a nurse’s ‘watch’ or ‘vigil’, while keeping readers turning the pages.

Emma Donoghue (1969-)

The Ireland of the mid-nineteenth century leaps off the page, but, most unsettling, it’s not unthinkable to imagine a similar story unfolding in the country’s rural communities today. There’s much that’s recognisable—the pervasiveness of religion, which mingles with folklore and myth, the hostility towards outsiders, the culture of secrecy, suffering and martyrdom.

Much as I enjoyed the novel, there were two slight disappointments. First, the love interest character—a journalist—is under-developed, convenient for plotting purposes but lacking the nuance of Lib, Anna and others. Second, nothing really forces Lib to reassess her prejudices about the zealots she’s surrounded by. It wasn’t that I was hoping for a supernatural explanation but I would have liked a moment of self-revelation, where Lib rethought some of her assumptions.

Overall The Wonder is a quiet sort of historical novel, with drama and action saved for the final pages. It’s a novel about caregivers and patients, cynics and believers, and, more than anything, our complex relationship with food, our bodies, appetite. Donoghue has a gift for uncovering tales from the past, which have resonance today.

Which twenty-first century novel, set in the nineteenth, would you like the Secret Victorianist to review next as part of my Neo-Victorian Voices series? Let me know—here, on Facebook or by tweeting @SVictorianist.

The Secret Victorianist and Manga?

Since starting the Secret Victorianist four years ago I've seen shows, read books and attended events I might never have heard of was it not for this blog. That's how I ended up working as a Consultant on a translation of Kazuhiro Fujita's The Ghost and the Lady - a two-volume manga starring Florence Nightingale as one of its central characters.

Check out my interview with The OASG about the story and what I learned about this unfamiliar genre and the challenges of bringing two very different cultures together.

Are you working on a project you'd love the Secret Victorianist to be involved with? Let me know — here, on Facebook or by tweeting @SVictorianist.