Showing posts with label Open House. Show all posts
Showing posts with label Open House. Show all posts

Saturday, 28 November 2015

The Secret Victorianist at Open House New York: Morris-Jumel Mansion

Midway through October, entry to many of the city’s most important historic buildings was free to the general public as part of Open House New York.


I took the opportunity to visit the Morris-Jumel Mansion – Manhattan’s only remaining Colonial residence, situated off 160th Street. The mansion’s museum is open throughout the year, Tuesday-Sunday, with admission at $10 for adults, but, in honour of Open House weekend, fees were waived and there were additional tours.

Built in 1765, the villa served as George Washington’s headquarters during the Battle of Harlem Heights in 1776 and was also the location for a dinner party attended by Washington, Thomas Jefferson, Alexander Hamilton, John Adams, John Quincy Adams and Henry Knox in 1790.


It was this link to the Revolutionary period that guaranteed the building’s survival, with the Daughters of the American Revolution playing a vital role in the mansion’s conservation in the early twentieth century - including some questionable choices in restoration.

In the museum’s current iteration, however, its custodians are looking to move away from the house’s political significance and deck it out as it would have looked in the nineteenth century, when it served as a family home to French wine merchant Stephen Jumel and his formidable American wife, Eliza.

'Washington's headquarters'
Learning about Eliza Jumel is one of the biggest draws for going to the mansion and taking a tour. Born Eliza Bowen into a working class Irish Catholic family in 1775, she worked as a domestic servant and an actress before going on to become one of the richest American socialites of the nineteenth century.

She married Jumel in 1804 and the pair bought the Morris Mansion in 1810. They were Bonapartists who claimed (probably falsely) that several of the trappings still visible in the house were gifts from Napoleon acquired during their trip to France in 1815.


After the death of her first husband in 1832, Eliza quickly married former Vice President (and killer of Alexander Hamilton) Aaron Burr. The pair soon separated, but, in a plot straight from a Victorian novel, their divorce came through on the date of Burr’s death in 1836 leading to legal wrangling over whether Eliza should be treated as his ex-wife or widow.

Eliza’s own death – at age 90 in 1865 – was also followed by litigation, as there was a 17-year battle over her sizeable estate. A portrait of Eliza along with the two claimants hangs on the upper landing of the house, although one half of the painting was covered by a curtain to hide the disowned party, during the later years of Eliza’s life.

The garden
It’s a little strange to visit a historical house where the interest is more often in possibilities than certainties. The Morris-Jumel Mansion – fittingly given its great age for New York - has become the centre point for a range of apocryphal stories, many focused on Eliza.

The rooms are beautiful and will look even better when they are further rearranged to reflect the Jumel era and the anachronistic wallpaper in the mansion’s famous octagonal drawing room is stripped away. If you find yourself that far uptown and looking for a slice of truly old New York then take a tour of the Georgian country house – you won’t be disappointed.

Where else in New York should the Secret Victorianist visit? Let me know – here, on Facebook or by tweeting @SVictorianist.

Wednesday, 24 September 2014

The Secret Victorianist at Open House London



The Secret Victorianist at Leighton House
Last weekend, the Secret Victorianist enjoyed Open HouseLondon – two days when hundreds of London’s historic buildings are open to the public for free. The sheer number of properties to choose from is staggering, even when you limit yourself by period, but I avoided the chaos of the city centre and crowds and queues of Whitehall in favour of a civilised Saturday in Kensington. Here I looked around two nineteenth-century properties, important for their contents as well as their former occupants – 18 Stafford Terrace and the Leighton House Museum.

18 Stafford Terrace is a building stuck in time. The servants’ rooms are gone, but otherwise the house is much as it was when it was home to famous Punch cartoonist Edward Linley Sambourne and his wife Marion. The couple moved into the house in 1875 and lovingly furnished it with furniture and ornaments reflective of late nineteenth-century aestheticism. On Saturday a bustling costumed ‘housekeeper’ showed us round the property but unfortunately only two rooms were on display.

Stained glass panel, 18 Stafford Terrace
 Other treasures the house holds which weren’t on show on Open House weekend include Sambourne’s collections of photographs and photography equipment. Working to tight deadlines for his Punch cartoons, photographing people was Linley’s way of cataloguing potential subjects and he used the same technique to plan the sketches for his book illustrations - notably Charles Kingsley’s The Water Babies (1863) and Hans Christian Anderson’s Fairy Tales (various). The Sambourne residence is beautiful, fascinating and familial – and well worth another visit on a quieter day.

Edward Linley Sambourne photograph for Little Mermaid illustration

The resulting illustration
 Leighton House on the other hand is grand and spacious –not kitted out like a home, like 18 Stafford Terrace. You enter an extravagant atrium – domed ceilings, Moroccan tiles, a water feature, a rich blue and turquoise colour scheme and even a stuffed peacock - and wander through rooms which are largely empty, except for the impressive collection of paintings – Frederic Leighton’s and some of his contemporaries’ – which lines the walls. A significant portion of the first floor is taken up by Lord Leighton’s incredible studio space – home to much of the art collection and large enough for working on the very biggest canvasses. In comparison to the grand entrance, massive studio and large garden, Leighton’s bedroom is small and plain, furnished much as it would have been at his death in 1896. The museum is a must-see for anyone interested in Victorian art.

Leighton House
 If you find yourself in London for Open House weekend in 2015, you should definitely check it out – the buildings featured range from historic to cutting edge, beautiful to functional, and are dotted throughout the city. And learning more about Edward Linley Sambourne or Frederic Leighton from visiting their houses would make a great day out throughout the year. 

Did you visit any London attractions on Open House weekend? Let me know here, on Facebook or by tweeting @SVictorianist!